On her 16th birthday, Becca accidentally summons the Sanderson sisters again with yet another cursed candle. Viewers learn that the siblings, ostracized by the village, seek refuge in the nearby woods, where they’re taken under the wing of the powerful Mother Witch (Hannah Waddingham).įlash forward 330 years and we meet a group of friends-Becca (Whitney Peak), Izzy (Belissa Escobedo), and Cassie (Lilia Buckingham)-splintered by high school politics. Hocus Pocus 2 serves as both a prequel and a sequel, opening in 1653 Salem on the origin story of the Sanderson sisters. Read more: The 100 Best Movies Under 2 Hours How the new movie compares to the original (Kirschner stayed on as a writer and producer.) At the time, D’Angelo was assigned the job of finding a way to bring back the original witches-Bette Midler, Sarah Jessica Parker, and Kathy Najimy-who now reappear in the sequel alongside Doug Jones as the affable zombie Billy Butcherson. In October 2019, it became official: Hocus Pocus 2 was happening, and Jen D’Angelo would be writing the script. When producer and co-writer Kirschner first pitched the sequel to Disney, it took six months of waiting before the studio even passed on the project-so they brought it to Freeform instead. Since 2011, the movie has made more than $1 million in DVD sales every October alone. After Hocus Pocus was released on DVD in 2002, DVD sales crept up too. Over the years, Disney Channel and Freeform (formerly ABC Family) integrated the movie into their Halloween lineups, and it gradually climbed up the ratings. “It changes tone as casually as the actors don their masquerade costumes, and has no scruples about breaking its own mood altogether.” “Apparently too much eye of newt got into the formula for ‘Hocus Pocus,’ transforming a potentially wicked Bette Midler vehicle into an unholy mess,” wrote the New York Times. With a budget of $28 million, Hocus Pocus brought in about $45 million globally, and was panned across the board by critics at the time. The now-favorite was, by all accounts, a box office flop. ( There was talk that Disney didn’t want the film to compete with its other Halloween movie that year, The Nightmare Before Christmas, which came out in mid-October.) Hocus Pocus was no instant success-due in part, perhaps, to its mid-July theatrical release. Locations in Hocus Pocus 2 Backgrid Salem in the 1670s Location: Chase Farm, 667 Great Rd in Lincoln, RI To some fans dismay, the cast and crew of Hocus Pocus 2 did not return to Salem to. Read More: The 52 Most Anticipated Movies of Fall 2022 How Hocus Pocus was received A dozen writers worked on the script in the years that followed. In 1984, Kirschner pitched the idea to Walt Disney Studios, pouring candy corn on the table, hanging broomsticks from the ceiling, and putting up hand-drawn pictures of black cats. 'Hocus Pocus' begins with a flashback to the year 1693, when the witches known as the Sanderson sisters brazenly kidnap a young girl, Emily Binx, to steal her youthful.
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Some of the film's language is also connected to John's sexuality at various points in the film he's called - or calls himself - "f-g," "poofter," "fairy," and "queen" (other salty terms include "s-t," "f-k," and more). Expect many scenes of flirtation, romance, and affection between men, as well as a frank sex scene that begins with men kissing passionately before falling into bed to pull of their clothes they're briefly shown nude and moving rhythmically together. (Ultimately, we learn that he's nearly three decades sober.) John is also a proud gay man, and the film doesn't shy away from showing that part of his life. His addictions and flaws are addressed frankly the movie begins with him admitting he's an alcoholic, a drug addict, a sex addict, and a shopaholic, and viewers see him indulging openly during the movie. It has plenty of mature content, but the overall tone is sweet and life-affirming, and John is portrayed as someone who has the trappings of fame and success but only finds true happiness through deep, authentic connections with other people. Parents need to know that Rocketman is a musical biopic about the life and work of Elton John ( Taron Egerton). Frequent smoking of cigarettes, cigars, and a pipe.ĭid you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide. John's various addictions are discussed frankly, and he's shown in the process of entering rehab (it's said that he's "28 years sober and counting" at film's end). Substance abuse isn't glamorized viewers see the damage that it does to those who indulge. Many scenes depict drug use and drinking, with characters snorting cocaine, smoking pot, guzzling liquor. Support for Internet Explorer 7 on other Windows versions ended on Januwhen Microsoft began requiring customers to use the latest version of Internet Explorer available for each Windows version. Support for Internet Explorer 7 will end on Octoalongside the end of support for Windows Embedded Compact 2013. IE7 was superseded by Internet Explorer 8 in March 2009. IE7 shipped as the default browser in Windows Vista and Windows Server 2008 and was offered as a replacement for Internet Explorer 6 for Windows Server 2003 and Windows XP. It is also the first version of Internet Explorer which is branded and marketed under the name 'Windows', instead of 'Microsoft'. Security enhancements include a phishing filter, stronger encryption on Windows Vista and Windows Server 2008 (256-bit from 128-bit in Windows XP and Windows Server 2003), and a "Delete browsing history" button to easily clear private data. New features include tabbed browsing, page zooming, an integrated search box, a feed reader, better internationalization, and improved support for web standards, although it does not pass the Acid2 or Acid3 tests. Some portions of the underlying architecture, including the rendering engine and security framework, have been improved. It is the last version of Internet Explorer that supports Windows XP 圆4 Edition RTM and Windows Server 2003 SP1 as the following version, Internet Explorer 8, only supports Windows XP 圆4 Edition SP2 and Windows Server 2003 SP2. Internet Explorer 7 requires Windows XP SP2 or Windows Server 2003 SP1 at the minimum. It also does not support Windows 7, Windows Server 2008 R2 or later Windows Versions. It was the default browser in Windows Vista and Windows Server 2008 (later default was Internet Explorer 9), as well as Windows Embedded POSReady 2009 (later default was Internet Explorer 8), and can replace Internet Explorer 6 on Windows XP and Windows Server 2003, but unlike version 6, this version does not support Windows 2000, Windows ME, or earlier versions of Windows. Internet Explorer 7 is part of a long line of versions of Internet Explorer and was the first major update to the browser since 2001. It was released by Microsoft on October 18, 2006, as the seventh version of Internet Explorer and the successor to Internet Explorer 6. It has been retired on all Windows versions except Windows Embedded Compact 2013. Windows Internet Explorer 7 ( IE7) (codenamed Rincon) is a web browser for Windows. Windows Vista, Windows Server 2008, Windows Embedded POSReady 2009, Windows Embedded Compact 7, Windows Embedded Compact 2013 The trilemma has continued to be used in Christian apologetics since Lewis, notably by writers like Josh McDowell. For the moment then, and unless any further evidence turns up, we must assume she is telling the truth. You know she doesn't tell lies and it is obvious she is not mad. Either your sister is telling lies, or she is mad, or she is telling the truth. "Why don't they teach logic at these schools? There are only three possibilities. "Logic!" said the Professor half to himself. After listening to them explain the situation and asking them some questions, he responds: Peter and Susan believe Edmund and are worried that Lucy might be mentally ill, so they seek out the Professor whose house they are living in. When Lucy and Edmund return from Narnia (her second visit and his first), Edmund tells Peter and Susan that he was playing along with Lucy and pretending they went to Narnia. In Narnia Ī version of this argument appears in Lewis' book The Lion, the Witch and the Wardrobe. Elsewhere, he refers to this argument as "the aut Deus aut malus homo" ("either God or a bad man"), a reference to an earlier version of the argument used by Henry Parry Liddon in his 1866 Bampton Lectures, in which Liddon argued for the divinity of Jesus based on a number of grounds, including the claims he believed Jesus made. Lewis implies that these amount to a claim to be God and argues that they logically exclude the possibility that Jesus was merely "a great moral teacher", because he believes no ordinary human making such claims could possibly be rationally or morally reliable. to intend to come back to judge the world at the end of time.to have authority to forgive sins - behaving as if he really was "the person chiefly offended in all offences.".For example, in Mere Christianity, Lewis refers to what he says are Jesus's claims: It is based on a traditional assumption that, in his words and deeds, Jesus was asserting a claim to be God. Lewis, who had spoken extensively on Christianity to Royal Air Force personnel, was aware many ordinary people did not believe Jesus was God, but saw him rather as "a 'great human teacher' who was deified by his supporters" his argument is intended to overcome this. Now it seems to me obvious that He was neither a lunatic nor a fiend: and consequently, however strange or terrifying or unlikely it may seem, I have to accept the view that He was and is God. You can shut him up for a fool, you can spit at him and kill him as a demon or you can fall at his feet and call him Lord and God, but let us not come with any patronizing nonsense about his being a great human teacher. Either this man was, and is, the Son of God, or else a madman or something worse. He would either be a lunatic - on the level with the man who says he is a poached egg - or else he would be the Devil of Hell. A man who was merely a man and said the sort of things Jesus said would not be a great moral teacher. I am trying here to prevent anyone saying the really foolish thing that people often say about Him: I'm ready to accept Jesus as a great moral teacher, but I don't accept his claim to be God. He used the argument outlined below in a series of BBC radio talks later published as the book Mere Christianity. Lewis was an Oxford medieval literature scholar, popular writer, Christian apologist, and former atheist. Chesterton used something similar to the trilemma in his book, The Everlasting Man (1925), which Lewis cited in 1962 as the second book that most influenced him. Williams, Reuben Archer Torrey (1856–1928) and W. Others who used this approach included N. There is no getting out of this trilemma. Another early use of this approach was by the Scots preacher "Rabbi" John Duncan (1796–1870), around 1859–60: Ĭhrist either deceived mankind by conscious fraud, or He was Himself deluded and self-deceived, or He was Divine. It was used by the American preacher Mark Hopkins in his book Lectures on the Evidences of Christianity (1846), based on lectures delivered in 1844. This argument has been used in various forms throughout church history. This argument is very popular with Christian apologists, but some theologians and biblical scholars do not believe that Jesus claimed to be God. It takes the form of a trilemma - a choice among three options, each of which is in some way difficult to accept. It is sometimes described as the "Lunatic, Liar, or Lord", or "Mad, Bad, or God" argument. Lewis in a BBC radio talk and in his writings. One version was popularised by University of Oxford literary scholar and writer C. Lewis's trilemma is an apologetic argument traditionally used to argue for the divinity of Jesus by postulating that the only alternatives were that he was evil or mad. Apologetic argument for the divinity of Jesus As time went on, expansions were made to the side and back. When the Bones tomb originally opened, it was just a third of the size that it is today (when facing the tomb, the original bit is the leftmost portion of the facade). In his book, Richards pinpoints the exact Egyptian temples which inspired the clubhouse, like the Temple of Thebes at Kornou and the Temple of Karmac. “This was a statement to Yale that Skull and Bones was here to stay.” The practice of forming a corporation through alumni support and commissioning a clubhouse would be repeated by other Yale societies.īones hired architect Alexander Jackson Davis, who designed a clubhouse built out of brownstone in an Egyptian revival style: “All the buildings around the Bones tomb were Georgian brick,” says Richards. Alumni put up the money of the project, forming a corporation to buy land directly across the street from student dorms. The first tomb at Yale was Skull and Bones, completed in 1856, about 25 years after the society was founded. While the Kenyon log cabin was built with function in mind, Richards expanded that when architects were tapped for Yale tombs, designs took on a more referential form, often echoing religious architecture. “There were air vents in the roof, but the whole concept of having sealed windows was the notion of privacy.” The Scroll and Key tomb. The first fraternity house was a log cabin with sealed windows at Kenyon College,” says David Alan Richards, author of Skull and Keys: The Hidden History of Yale’s Secret Societies -and a member of Skull and Bones himself. “Secret societies originated as what you and I know as fraternities. The name for these curious clubhouses? Tombs. And there’s no chance of a glimpse at what goes on inside, because they are also windowless. Clubhouse walls are so thick-made of sandstone and marble in some cases-that sound never escapes. But unlike normal clubhouses, members are rarely seen entering or leaving. Bush, and former Secretary of State John Kerry among its alumni.Īnd like any established club, many have their own clubhouse around New Haven. Skull and Bones-arguably the most famous of Yale’s secret societies-alone counts President William Howard Taft, President George H.W. But one thing we do know is that while each club is small-membership is often capped at 15 senior undergrads per society-the collective alumni represents some of the most powerful figures in the public realm. We don’t know much about the secret societies of Yale University. The film, which references the Skull and Bones society, is about the creation of counterintelligence in the CIA during the Cold War and has been criticized by members of the CIA’s history staff for inaccuracy.Welcome back to Period Dramas, a column that alternates between rounding up historic homes on the market and answering questions we’ve always had about older structures. Jones cited the 2006 film “The Good Shepherd” as a “historical example” of this claim. The same elites that are trying to avert the American people to class warfare are the ones that opened up China, that are involved in a lot of different types of authoritarianism.” “And it really is at the root of some of the corrupt, out-of-control elites in America. “Skull and Bones is on record helping found the CIA,” Jones said in an interview with the News. He came to New Haven with bodyguards and a cameraman neither Jones nor those who accompanied him wore masks. Jones stood outside of the Skull and Bones tomb on High Street - the meeting place for Yale’s oldest secret society - and made unverified claims that the group was involved in the founding of the United States Central Intelligence Agency. On Monday afternoon, prominent alt-right radio host Alex Jones visited Yale to create content for his website, a multimedia outlet known for spreading conspiracy theories. Note: This requires version 5.10.0 or higher. Include co-host(s) to breakout rooms: Disabled by default, you can include any co-host(s) in the automatic assignment of breakout rooms.Assign automatically: Let Zoom split your participants up evenly into each of the rooms.Select the number of rooms you would like to create, and how you would like to assign your participants to those rooms:.Note: You can also pre-assign participants to breakout rooms when you schedule the meeting instead of managing them during the meeting. To have this feature enabled for your account, submit a request to Zoom Support. Note: Zoom can increase the maximum capacity of your account's Breakout Rooms to allow up to 100 breakout rooms, with a maximum capacity of 1000 in a single breakout room or up to 1000 total among all breakout rooms (depending on account limits). This also affects the pre-assignment limits, raising them also to 100 rooms and 1000 participants. If you do not have a Large Meeting add-on, the maximum number of participants is limited by your meeting capacity. *The maximum capacities listed require a Large Meeting add-on. Maximum number of participants who can be assigned to breakout rooms* Up to 50 breakout rooms and up to 200 participants can be pre-assigned to breakout rooms. These numbers only apply to breakout rooms created during a meeting. The maximum number of participants in a single breakout room depends on the meeting capacity, number of breakout rooms created, and if participants are assigned during the meeting or before the meeting. Multiple participants can be given permission to record locally. The host must allow specific participants to record locally and it will only record the room the participant who is recording is in. It is currently only possible to record in breakout rooms with local recording. If the meeting is being cloud recorded, it will only record the main meeting and none of the breakouts will be captured, regardless of what room the meeting host is in. Users joined into the Zoom meeting from the Zoom Mobile App or H.323/SIP devices can participate in breakout rooms, but cannot manage them. * While both the host and any co-hosts have the ability to assign participants to breakout rooms, only the first submitted set of assignments will be accepted upon clicking Open All Rooms. They can choose to allow participants to choose their own room, but this must be done in the meeting when launching the breakout rooms.Īssigning*, starting, and ending breakout rooms Viewing activity statuses of participants in breakout roomsīy default, only the host or co-host can assign participants to breakout rooms. Note: No-fixed time meetings are not supported. Adjusting Breakout Rooms while they are open must be enabled for your account by Zoom, enabled in your Breakout Room settings, and have all participants connected through version 5.9.3 or higher. This applies to the host, co-hosts, and breakout room participants.Note: Rooms using the Control System API cannot participate in breakout rooms.Ĭreating, removing, and renaming breakout rooms after launch Android controller: 5.8.0 (898) or higher.Zoom desktop client for Windows, macOS, or Linux: Global minimum version or higher.Prerequisites for managing breakout rooms Breakout rooms Breakout room participants will have the same audio, video, and screen share capabilities as allowed in the main session. The host or co-host can switch between sessions at any time, and monitor the level of activity in each room. You can also pre-assign participants to breakout rooms when you schedule the meeting instead of managing them during the meeting. The meeting host or co-host can choose to split the participants of the meeting into these separate sessions automatically or manually, or they can allow participants to select and enter breakout sessions as they please. Breakout rooms allow you to split your Zoom meeting in up to 50 separate sessions. Patsy’s favorite things about living in Colorado are the open outdoor spaces and wonderful weather. Caring deeply about the wellbeing of families and development of children, Patsy has been instrumental in the implementation of different types of early learning programs including Center Base and Home Base. In her role, Patsy supervises lead teachers, plans ongoing professional development training, collaborates with community members to implement Illuminating Child Care in their neighborhoods, organizes daily on-site childcare services for parents, and partners with families to provide navigation services for long-term childcare. Patsy Bruce M,Ed (she/her/hers) joined the Illuminate team in March of 2020 as the Child Care Manager and is currently the Core Values Committee leader. In her positions prior to Illuminate, Anna was able to pursue her passion for developing learning and evaluation strategies to advance programs and services that promote the health and wellbeing of individuals, families, and communities.Īnna’s favorite things about living in Colorado are her family, the mountains, and endless sunshine!Ĭontact me about: Evaluation & Strategic Learning She also oversees the design and implementation of Illuminate's data systems and infrastructure in pursuit of this same goal.Ĭentral to Anna's role is helping to foster an organizational culture of learning at Illuminate and promote the use of data as a tool for continuous growth and improvement. In her role, Anna leads the data collection, evaluation, and strategic learning efforts at Illuminate with the goal of advancing organizational functioning, reach, and impact. His favorite thing about living in Colorado is the great weather and snowboarding on the Western Slope!Īnna Van Slyke, MPH joined the Illuminate team in June of 2019 and serves as the Director of Evaluation and Strategic Learning. Outside of work, Ryan enjoys snowboarding, watching NBA basketball (go OKC Thunder!), and spending evenings at home playing strategy board games with his husband. Ryan has a masters degree in Media & Public Communication from the University of Denver and comes to Illuminate with experience working with non-profit organizations, graphic design, videography, and photography. Passionate about communications work that leads to social change, Ryan knows that Illuminate’s work– and how it is communicated– is impacting lives and building better childhoods across our state. In his role, Ryan leads the development and execution of strategic communication plans while promoting the organization's programs and educational opportunities. Ryan Kistler (he/him/his) joined the Illuminate team in March of 2020 and is currently the Director of Communications. PT.FILTECH INDONESIA changed name to PT.ROKI INDONESIAįILTECH SUZHOU CO., LTD. changed name to ROKI (THAILAND) Co., Ltd. Takaya Shimada appointed as President and CEO.Įstablished India subsidiary ROKI MINDA Co. (Korea).Įstablished Vietnamese subsidiary ROKI Vietnam Co., Ltd.Įstablished technical ties with Motherson Sumi Systems Ltd. (Hungary).Įstablished technical ties with Daeji Metals Co., Ltd. ISO 14001 accreditation acquired by Hamamatsu and Kumamoto factories.Įstablished technical ties with Kunplast Karsai. Hiromitsu Shimada appointed as President.Įstablished Taiwanese subsidiary China Ocean Enterprise Co., Ltd.Įstablished Thai subsidiary Toyo Roki (Thailand) Co., Ltd.Įstablished Indonesian subsidiary PT Filtech Indonesia.Įstablished Chinese subsidiary Filtech Suzhou Co., Ltd. Relocated HQ Plant to current location and established R&D facility. ROKI ASIA TRADING INDONESIA(INDONESIA)ĬHINA OCEAN ENTERPRISE CO., LTD. ROKI ASIA PACIFIC TRADING Co.,Ltd(THAILAND) ROKI ROMANIA MANUFACTURING S.R.L (ROMANIA) Research Center, Hamamatsu Plant, Kumamoto Plant Head office: 2396 Futamata, Futamata-cho, Tenryu-ku, Hamamatsu-shi, Shizuoka Towards our employees, ROKI will provide a comfortable, open work environment where employees are encouraged to use their individuality and spiritĭevelopment and production of automotive filtration equipmentĭevelopment, production and sales of air and water purification systemsĭevelopment of cogeneration filter systems Towards our suppliers, We aim to build tight partnerships, based on fairness and equality, which lead both parties down a road to prosperity. We will not be lazy in our efforts to promote the development of globalization, internationalization, and environmental preservation. Towards society and the environment, As a responsible member of an industrial society, we will respect all laws and maintain transparent management practices. Into original, high quality products which impress our customers. Towards our customers, Using our core competency in filtration, we will transform our concepts We pledge that all of our activities in R & D, production, and sales will help We consider it our responsibility to be concerned for the environment, and Through constant innovation of our products, our technology, and our thought processes, we will create leading-edge value. Will supply products and services which can contribute to industry and society. With our unfailing determination and effort, and a global viewpoint, we Through our belief in the power of determination and imagination, we will continue to foster a company which is admired for providing original and safe products and services that contribute to society, industry, and the environment. Putting top priority on quality, we strive to develop and supply products which stand-out worldwide. Identifying lines of action is one thing, but they are felt rather than seen. Comprehensively keeping track of these lines in the fluid, player controlled framing of modern 3D games can be staggeringly difficult.) (The simplicity of Pinball lets me highlight most of the lines really fast. They are an affectation of how the level is shaped and/or how the player expects objects in a level to interact with fellows in the space. Every single environment or level or architecture or whatever you want to call inhabited spaces in a videogame has lines like these. I’m going to borrow an animation term and call these crude arrows I drew lines of action. Right-o, this is a screenshot of Nintendo’s Pinball by the way. Pin Bot ’s compulsion to simulate something real despite the impossibility, an aesthetic divide that is becoming more and more prominent in modern videogame development. Which isn’t dissimilar to how games were around the time it came out: think of any famous NES game and they’re aesthetic collections by nature. Everything essential for the game is present. Rather than try to simulate or emulate the style of a pinball cabinet-reference the busy, dense, also Nintendo published Pin Bot- Pinball is sparse, floating, representationally conceived. Then you press start it’s just a crude game of baseball or whatever. I’ve always liked how calm and disconcerted those games came across. Pinball was a NES launch title, bears the sparse, black presentation of Nintendo’s early Famicom games. Everything is in flux, you have one, often short, chance. While pinball is blatantly a stupid time waster, I say this as someone who enjoys playing pinball probably too much, it’s a self-effacing struggle while in play, justified existentially. Pinball has no release, though, it cycles through death defying performance, to calm, to strike for life anew, and then to watching and waiting in cruel anticipation again. Once chance to succeed and catastrophe to failure. Tense, slightly random, waitfests that rely on visual cues. Trying to parry an attack in Dark Souls or perfect dodge in Breath of the Wild are modern applications of distilling pinball’s play loop. This unease feeds into the core play loop of pinball, which is timing and anticipation. So, I would say digital pinball is an activity naturally off-balance, though felt subconsciously if anything. In other words, an action game played with a controller or keyboard is radically different than a pinball cabinet an unreal feeling reality. Analog simulations are always uncanny (say golf, or renditions of chess and other boardgames) because they remain imperfect, impossible, fictional in how they’re implemented and (usually, typically) how a player interfaces with the game. Such a strict adherence is an anomaly in game subgenres and mediums.ĭigital pinball is genuinely strange. It sounds silly like this but we wouldn’t have R-Type without pinball! While the concept of a score attack arcade game shifts depending on platform demands and influence from material history, pinball is just pinball. This is evidence of something analog, hundreds of years old, obviously influencing how we play today. Pinball is presented, viewed, and arranged very similarly to single table score attack games, like Breakout or Space Invaders. I want to try to unpack some relationships pinball has in a broader sense of gamedev. Its simplicity manifests longstanding and sharp game design ethos. Pinball, being adapted from analog arcade games, can’t really deviate from a specific ruleset, otherwise it’s not pinball. I am earnestly talking about twenty hours or more playing Pinball on the NES, 3D Pinball for Windows – Space Cadet for, uh, windows, (yeah that default windows pinball game that isn’t actually 3D) and the casinopolis stage in Sonic Adventure. I’ve forgotten this, or maybe it’s been mentally blocked. As a child I spent an obscene amount of time playing three virtual pinball tables. I wondered how many of the people whose physical homes had been destroyed by this monster hurricane had also once felt the stinging winds of disappointment as their dreams fell around them like a barren wasteland. What I had dreamed, worked hard to build, what I had planned, planted, nurtured, cared for, and tended once looked just like the scene I now beheld outside the confines and safety of my car. Unfortunately, that is not at all how it turned out. In my mind, it probably would even have had a fancy bow tied around it as if it had been a package of sorts commemorating some splendid occasion. I had pictured my own “white picket fence”, my storybook cottage kind of house, and my perfect little family, complete with a “happily ever after” to nicely button things up. I had embarked on my life’s journey with big, fairytale-like plans. I commented how grateful I was that my father wasn’t alive to see the nightmare-ish sight in front of me, and that I knew it would have broken his heart.Īs I sat and reflected on the imagery, the utter devastation, chaos, and loss that lay before me, I was reminded of my own young life. My heart sank as I sat gazing through the windshield and I couldn’t help but brush away the warm tears that trickled down my cheeks. Hurricane Michael had ravaged my father’s boyhood homeplace, the place we always came “home” too! It seemed unfathomable that it would never look the same again as it had been rendered all but unrecognizable. A visual example of ruin and destruction sprawled in front of me. The endless mounds of rubble and debris lined the narrow street of what had once been the site of many of my fondest childhood memories. |
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